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Magazine 26: Cultivating a Conscience in Rural Space
On rural life and landscapes - by Kenneth Anders In Ehm Welk’s novel “The Heathens of Kummerow”, the children of a Western-Pomeranian village become entangled in a disturbing conflict. In a scene in front of an inn, a miller beats his horse to the...
Magazine 26: Art Installation or Duty-Free Shop?
An interview with Lauren Boyle of DIS curatorial team on the 9th Berlin Biennale Gregor Quack: I would like to start by asking what exactly DIS is. I know that you are a group made up of four individuals: Lauren Boyle, David Toro, Solomon Chase and...
Magazine 26: The Handreader’s Tale
Alternative narratives by the Sinti and Roma in the arts and sciences “The discourse of power engenders monsters.” (Michel Foucault) The lifeline of Europe’s Roma goes back a thousand years – and for most of that time, the Roma have been victims of...
Magazine 27: What Could Global Modernism Look Like?
An Essay by Okwui Enwezor, Katy Siegel and Ulrich Wilmes “Postwar – Art between the Pacific and Atlantic, 1945–1965” could well be the first exhibition in Germany to move beyond the Eurocentric or Western perspective and portray postwar art as a...
Magazine 27: „What we wish for with all our hearts …”
Marc Sinan and Iva Bittová about their project „Rajasthan“ Twelve million Roma live in Europe, making them the largest minority group on the continent. Though little is known of their early history, experts have determined that twelve hundred years...
Magazine 27: On the Brink of the Unmodern Age
An essay by Maria Stepanova In the Soviet Union, the writer Evgeny Schwartz was considered a teller of fairy tales, and it was perhaps this circumstance – while his friends and contemporaries were censured and executed one after another – that...
Magazine 27
Magazine #27 was published in November 2016. The featured topics include non-European collaborations, global networks and the relationship between near and far, self and non-self.
Magazine 28: The Insatiable Appetite for Pictures
Florian Ebner und Christin Müller When the pictures of our lives go viral and assume a life of their own, when social bots tip the scales of elections, when deleting images becomes more important than uploading them, when we can only bear the fault...
Magazine 28: Retouch = Attack
Sylvia Sasse In the years that followed the October Revolution, theatre played perhaps the most important political role in the art world. As theatre for the masses, it served to confirm that the multitude belonged to the political majority, and its...
Magazine 28: So Close, Yet So Far Away
Christoph Menke 1. When it comes to revolution, there is only one position that does it justice. It is the position that Kant, citing the example of the French Revolution in The Conflict of the Faculties, called “partisanship”. In matters of...