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General Assembly
One hundred years since the October Revolution, the project “General Assembly” wanted to know: In this age of globalisation, who are today’s “citizens and peasants” of the French Revolution and “proletariat” of the Russian Revolution? The “General...
The Self-Made Aristocracy
La Fleur is an international group which aims to develop a new type of theatre. Many of its members come from the banlieues of Paris and the socially underprivileged quarters of Hamburg. But on stage and in life, these artists constantly negate the...
London 1938. A Statement for German Art
An exhibition in Berlin and London on the largest counter-exhibition to the Nazi propaganda art show “Degenerate Art” In July 1937, the propaganda art show “Degenerate Art” opened in Munich. It was the public manifestation of Nazi cultural policy and...
Queering Holocaust History
For years, researchers and historians of commemorative culture had marginalised the persecution of gay men during the Holocaust, as well as that of other gender-oriented or sexually transgressive people. It was only in the mid-1980s that the memorial...
Dance Heritage Fund
The aesthetic and stylistic diversity of the German dance scene is the result of more than 100 years of development. The international careers of such renowned artists as Mary Wigman, Dore Hoyer, Tatjana Gsovsky, Rudolf Laban, William Forsythe and...
Funding guidelines Fellowship Internationales Museum (PDF, 25.18 KB - opens in a new window)
effective 1 January 2015
Advice_Information_for_Foreign_Workers_in_Germany.pdf (PDF, 59.49 KB - opens in a new window)
Advice & Information for Foreign Workers in Germany Advice and Information for Foreign Workers in Germany/ Kulturstiftung des Bundes/ Mai 2012 Advice and Information for Foreign Workers in Germany Each foreign research fellow is offered an 18-month...
The Art and its Audience
New forms of communication, reception and participation via digital and social media have presented public art museums with the challenge of developing new ideas to attract and integrate today’s audiences. What do visitors expect of museums? Who...
Cabinet of the Unknown
The long tradition of museum practice calls for museums to serve as institutions that provide knowledge. In classic museology, knowledge is a commodity that a museum offers, whereby the visitor accepts the validity of that knowledge. The Museum of...
People Pictures Universal
The surge of information communicated through early 20th-century media led to a “visualisation boost”. It was then that the idea of presenting condensed information in visual form came into being. This exhibition project is devoted to two pioneers of...