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Magazine 18: Editorial
Hortensia Völckers, Alexander Farenholtz - Executive Board of the Federal Cultural Foundation Are there “limits to growth” in culture or are we (morally) obliged to constantly expand our cultural heritage and its institutions? Much of our culture is...
Magazine 18
Magazine #18, released in Autumn 2011, features articles on current programmes and events funded by the Federal Cultural Foundation.
Magazine 19
Magazine #19, released in Spring 2012, features poems by various artists and was published only in german.
Magazine 20: 500 Billion Would Be Nice
Andres Veiel Things could be different. But how? The filmmaker Andres Veiel spoke with 25 former bankers. Their interviews formed the basis for his new play “The Raspberry Kingdom”. The journalists Dirk Pilz and Harald Schumann met up with Veiel at...
Magazine 20: The mix-ups never end
Monika Rinck The tragic and the comic. What Büchner’s comedy “Leonce and Lena” has in common with “Woyzeck.” Do you know Georg Büchner’s famous comedy “Woyzeck”? Then you must know his tragedy “Leonce and Lena.” If these questions don’t strike you as...
Magazine 20: Forgive us our debts
Thomas Macho “Before we even kiss the Godfather’s hand, we already owe him something.” Cultural philosopher Thomas Macho illuminates the connection between existential, moral and economic obligation More than one hundred years ago, a young Russian...
Magazine 20: Editorial Magazine 20
Hortensia Völckers, Alexander Farenholtz - Executive Board of the Federal Cultural Foundation The good news first: The German Federal Cultural is funding more cultural projects with artists and cultural producers from African countries than ever...
Magazine 20
Magazine #20, released in Spring 2013, features articles on current programmes and events funded by the Federal Cultural Foundation.
Magazine 21
Magazine #21, released in October 2013, features articles on current programmes and events funded by the Federal Cultural Foundation.
Magazine 22: Style in Africa
Renate Klett An inquiry into pan-African performance methods is the basis of a new production by the German-Ivorian theatre and dance company Gintersdorfer/Klaßen. A TURN project report from Kigali. Personal note: For the past twenty years, I have...
