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Descending the Throne
Classical ballet, as it is presented on stages around the world, represents an era that held grace, control and discipline in high regard. With “Descending the Throne” the choreographer Adam Linder, a trained ballet dancer himself, wishes to...
Magazine 33
Digitalisation is changing the art world, art production and art reception – even in places we haven’t noticed (yet). There is no denying the growing influence of digitalisation in almost every area of life, but as long as there remains a tangible...
Power Night
In a decommissioned coal plant in the Brandenburg town of Luckenwalde, a group of artists have founded a new institution – the E-Werk, Centre for Art Power. The E-Werk intends to become an institution with an ambitious exhibition programme and...
ULF – The Independent Reading Series Festival
Ever since the first independent reading series were established in 2015, they have supplemented the programmes of municipal literary institutions which are targeted at educated, somewhat older, middle class audiences or the more entertainment-based...
Moon Hunter
The artist Asger Jorn (1914-1973) was considered the enfant terrible of the Danish art scene during his lifetime. Today he is known as one of the world’s most influential figures of the European post-war avant-garde. As the co-founder of the artists’...
Clemens von Wedemeyer: Majorities
The photographer and filmmaker Clemens von Wedemeyer has presented his works at the MoMA in New York, the Biennale of Sydney and the documenta, and his films have debuted at prestigious film festivals around the world. The Leipzig Gallery of...
Fördergrundsätze im Fonds Stadtgefährten (PDF, 63.44 KB - opens in a new window)
1/3 Stadtgefährten – Fonds für Stadtmuseen in neuen Partnerschaften Stadtmuseen sind Orte der urbanen Geschichte und Identität. Sie sind ein Angebot zur Orien- tierung und Aufforderung zum lebendigen Austausch über eine Stadt oder Region und des-...
Magazine 32: Thin-skinned
Karin Harrasser I got out after the blog wave. Or rather, I didn’t move on to the next big thing. No Facebook, no Twitter, no Instagram, no WhatsApp. It was more of an impulse than a real decision. It felt like an act of self-defence. I saw no other...
Magazine 32: Slavery 2.0 and how to avoid it: a practical guide for cyborgs
Aral Balkan You are most likely a cyborg and you don’t even know it. Do you have a smartphone? You’re a cyborg. Do you use a computer? Or the web? Cyborg! More generally, if you use digital and networked technology today, you are a cyborg. You don’t...
Magazine 32: In Love with a Robot?
Sophie Wennerscheid Could I imagine having an erotic relationship with an artificially intelligent robot? Yes, I could. No problem. And with pleasure. My partner, however, finds it bewildering and thinks it’s absurd to even contemplate whether he’d...
