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Magazine 32: Thin-skinned
Karin Harrasser I got out after the blog wave. Or rather, I didn’t move on to the next big thing. No Facebook, no Twitter, no Instagram, no WhatsApp. It was more of an impulse than a real decision. It felt like an act of self-defence. I saw no other...
Magazine 32: Slavery 2.0 and how to avoid it: a practical guide for cyborgs
Aral Balkan You are most likely a cyborg and you don’t even know it. Do you have a smartphone? You’re a cyborg. Do you use a computer? Or the web? Cyborg! More generally, if you use digital and networked technology today, you are a cyborg. You don’t...
Magazine 32: In Love with a Robot?
Sophie Wennerscheid Could I imagine having an erotic relationship with an artificially intelligent robot? Yes, I could. No problem. And with pleasure. My partner, however, finds it bewildering and thinks it’s absurd to even contemplate whether he’d...
Magazine 32: Testosterone
Ashley Hans Scheirl First there was the soaking up of dyke fragrances: black leather, dildos, whips. Pictures. In the early 90s there was the “Clit Club” in London. There were themes every evening, e.g. “Switch Night” – masculines switched to...
Magazine 32
This issue of the magazine (published spring/summer 2019) focuses entirely on the only question we posed twelve personalities from the Arts and Humanities. It centers on the human body:
In the course of recent decades, the possibilities for adapting...
Theatertreffen 2019
The Berlin Theatertreffen is truly an Olympic event of German-language theatre. The festival invites the ten most remarkable theatre productions from Germany, Austria and Switzerland to Berlin in May every year. The members of the Theatertreffen...
Entangled Histories
The Theaterformen Festival is one of the largest international theatre festivals in Germany. For the 2019 edition, the organisers had commissioned new plays from Argentina, Belgium, Great Britain and Russia. Although they had been largely unknown in...
The Weimar Republic of Yiddishland
On the occasion of the 100th anniversary of the constitutive National Assembly in Weimar in 1919, this festival examined the enormous surge of creativity driven by Yiddish culture during the years of the Weimar Republic. “Yiddishland” was the...
The Present is not Enough
With its project “The Present is Not Enough”, the HAU Hebbel am Ufer theatre in Berlin has hosted an interdisciplinary festival which presented the artistic positions of the past and future of the LGBTIQ* community. The festival has featured artists...
Emergence
The Chilean choreographer José Vidal and his company CÍA are known for choreographies that explore interpersonal relationships and artistic diversity in creative processes. In 2018 he and his company presented their internationally acclaimed piece...