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Afropean Mimikry and Mockery | Flyer Mousonturm (PDF, 889.47 KB - opens in a new window)
Ausstellungsflyer: Mimicry & Mockery – Nachahmung und Verspottung ziehen sich wie ein roter Faden durch die Jahrhunderte afrikanisch-europäischer Begegnung. Aneignung und Abgrenzung, Affirmation und Verachtung, Überhöhung und Dämonisierung haben eine...
Real Art? On the Aesthetic Status of the Original, Copy and Forgery
Why do we generally prefer originals over copies or forgeries? Couldn’t a perfect copy or forgery meet our aesthetic demands just as well? What kind of characteristics do we believe are not found in a copy or forgery? This conference focused on the...
FIDENA 2010 – Figurentheater der Nationen: Let's get loud
FIDENA (Figurentheater der Nationen) has organized festivals of puppet and performing object theatre since 1958 and showcased the newest trends and international developments of the genre. The festival in 2010 focused on music, as the theatre makers...
Inhuman
In view of the breakneck pace of technological innovation and far-reaching climatic and geological changes, the primacy of humans has increasingly come under fire. Is the humanistic concept of the human being as the “measure of all things” still...
Existing Otherwise | Anders Existieren
Environmental and epidemiological crises are challenging the viability of progress- and growth-oriented society more than ever before. But what does non-growth feel like? How can we change our accustomed, non-sustainable lifestyles? These questions...
Magazine 30: Rules of Rapture – Ecstasy as an Artistic Process
Questions for Carsten Höller Do artists traditionally possess a particular affinity to rapture and ecstasy? You have to imagine the first artists as being ritualists. This is the conclusion Robert Calasso proposes in his wonderful study Ardor ,...
Magazine 26
Magazine #26, released in May 2016, presents one of our major funding programmes, one that highlights the culture of the Sinti and Roma: the RomArchive. Manuel Gogos asked international artists and cultural producers how they respond to clichés and...
The Flâneur
This exhibition highlighted the literary figure of the flâneur , as described by Charles Baudelaire, an individual who feels at home “in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite.”...
Sisters
Using Chekhov’s play “The Three Sisters” as a foil, this project incorporated the personal details of Nele Winkler, Juliana Götze and Rita Seredsuß, three actresses with Down’s syndrome, who played the roles of the three sisters in this production by...
Dance over Trenches. The 100th anniversary of Le Sacre du Printemps
Twisted feet, snapped heads, jarring, abrupt movements, rhythmic stomping and trembling. In the end, death by exhaustion, the staged sacrifice for the heathen sun god. Dancing – excessive, powerful, disturbing. The premiere of “Le Sacre du Printemps”...